Tag: George Benson

Two anniversaries of Pat and me

September 9, 1972, was the first time I spoke to Pat Martino on Folk City’s stage while he packing up after his last set. (I had seen him there many times that summer, one perk of having FC’s Mike Porco as a friend of the family).

Exactly 23 years later, a fellow fan took a picture of him, Gloria, and me in Blue Note’s second-floor dressing room. This was directly across the street (that is, West Third Street) from where Folk City once was. (These music venues were never contemporaries.)

I’ve published this picture before, but not the copy Pat signed almost 14 years later on March 15, 2009 at the Rubin Museum of Art (150 West 17th Street). The occasion was the premiere of Unstrung!, a documentary about Pat’s recovery from brain surgery and amnesia. (Free download of medical journal article on Pat’s case.)  Gloria couldn’t make the event, but Mom, who’s the reason I got into jazz, did. A few months earlier, her friend had played Pat’s Strings! album on his turntable, thereby altering the course of my musical life.

My  diary for September 9, 1972 shows that I was equally excited about meeting another fan of Pat’s:

Was I knocked out when Mom came over to me [at my Folk City table in the main music room] and told me that George Benson  was there diggin’ on the music! I went over to his lovely wife to ask if that was truly him and then introduced myself and asked him a few questions. He’s coming out with a book by which student of various levels can progress and “get more serious.” What a surprise that was! Pat M. came over and and rapped about guitar makes (George has an 1898 Gibson) and other things. Ornette Coleman was sitting at the bar. . . . I talked to Pat about little things. He’s really at peace with himself. He went for a walk after his set. Mom was sitting at the bar and stopped him to talk. He’s so gracious. Mom and I hung around to be driven home [in the Bronx] by Mike [whom, in my diary, I cluelessly surnamed “Gerde”!].

As 1994 was the last year I kept a diary, I have only that photo to stir my memory of that 1995 meeting (of whose significance as the anniversary of our first chat I was not then cognizant). The following summer (June 30, 1973, to be exact) I’d see both Pat and George (and a half-dozen other jazz guitar greats) in the Wollman Amphitheater in Central Park at the Newport Jazz Festival. The concert was aptly named “Guitar Explosion.”

Happy to share with those who care and remember that September.

George Benson and Pat, Central Park, June 30, 1973. A flipped image: Pat, who was right-handed, appears to be holding a guitar made for a left-handed player.

 

 

 

80 years ago today

Pat Azzara at about six months. He adopted the surname “Martino” when he went on the road. His father, an amateur guitar strummer, was known as  “Micky Martino.”

Allied forces liberated Paris. Composer-conductor Leonard Bernstein turned 26 and would soon bask in the Broadway success of On the Town. There was, however, another birthday that day (literally, the day of his birth). It was of another great musician whom it was my privilege to know, the guitarist Pat Martino (1944-2021).

It is almost impossible for me to grasp that he would have turned 80 today. In fact, he’s been gone almost three years. To me, he’s still the “guitar god” I met at Folk City on West Third Street in Greenwich Village, when I was 19 and he an old man (in my eyes) of 28. I distinctly remember chatting with him on the northeast corner of West Third and Sixth Avenue (yes, just outside the basketball court informally known as “The Cage”) about how I was picking up the jazz tradition on our common instrument. A few months later, he’d offer to teach me if I’d be willing to travel to his hometown of Philly.

My first initial impression of his playing, like that of many young listeners discovering their favorite musicians, was of his speed of execution. (“Look how fast he plays!) I slowly but surely realized that “fast” does not capture the beauty of his streams of eighth notes. The excitement I so poorly conveyed derived from his melodic inventiveness and “pulse.” He didn’t sound like anyone else, but you knew if someone else was playing his lines Continue reading “80 years ago today”